Download E-books Arts and Humanities through the Eras: The Age of the Baroque and Enlightenment (1600-1800) PDF

By Philip Soergel

Profiling milestones and hobbies within the arts, literature, tune and faith from a selected interval, each one quantity during this set is helping scholars and researchers comprehend some of the disciplines of the arts when it comes to one another, in addition to to background and tradition. an summary of the interval and a chronology of significant international occasions start each one quantity. 9 chapters persist with overlaying the foremost branches of the arts: structure and layout, dance, type, literature, tune, philosophy, faith, theater and visible arts. Chapters start with a chronology of significant occasions in the self-discipline by way of articles masking the pursuits, colleges of concept and masterworks that signify the self-discipline through the period and biographical profiles of pioneers, masters and different well-known figures within the box. Chapters additionally comprise major fundamental records from the interval, together with quotations, excerpts from artists approximately their paintings and/or commentaries/criticism released in the course of the interval, and a listing of common references for extra details.

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283 D OCUMENTARY S OURCES . . . . . . . . . . . . . . 326 bankruptcy 7: faith bankruptcy five: song I MPORTANT E VENTS . . . . . . . . . . . . . . . . . . . 330 I MPORTANT E VENTS . . . . . . . . . . . . . . . . . . . 208 O VERVIEW . . . . . . . . . . . . . . . . . . . . . . . . . . . 334 O VERVIEW . . . . . . . . . . . . . . . . . . . . . . . . . . . 211 T OPICS IN R E L I G I O N The country Church in Early-Modern Europe . . . . . . . . . . . . . . . . . . . . . . . . . . . 336 The Thirty Years’ struggle and Its Aftermath . . . . 341 T OPICS IN M USIC Origins and parts of the Baroque variety. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214 vi Arts and arts throughout the Eras: The Age of the Baroque and Enlightenment (1600–1800) Contents The English Civil Wars . . . . . . . . . . . . The recovery cost in England . Catholic tradition within the Age of the Baroque . . . . . . . . . . . . . . . . . . . . . Protestant tradition within the 17th Century . . . . . . . . . . . . . . . . . . . . . unfastened Will as opposed to Predestination within the Dutch Republic . . . . . . . . . . . . . . . . Jansenism and the Jesuits in France. . . . Magic and Witchcraft . . . . . . . . . . . . . Pietism . . . . . . . . . . . . . . . . . . . . . . . Christianity, technological know-how, and the Enlightenment. . . . . . . . . . . . . . . . . Christianity within the progressive period . . S IGNIFICANT P E O P L E Jacobus Arminius . . . Cornelius Jansen. . . . William Laud . . . . . . John Wesley. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 344 . . . . . 348 . . . . . 352 S IGNIFICANT P E O P L E Aphra Behn . . . . . . . . . . . Pedro Calderón de l. a. Barca Pierre Corneille . . . . . . . . Nell Gwyn. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 448 449 451 452 . . . . . 355 D OCUMENTARY S OURCES . . . . . . . . . . . . . . 452 . . . . bankruptcy nine: visible ARTS . . . . . . . . . . . . . . . . 358 361 366 371 . . . . . 377 . . . . . 382 . . . . . . . . . . . . . . . . . . . . 385 386 387 388 D OCUMENTARY S OURCES . . . . . . . . . . . . . . 389 bankruptcy eight: THEATER I MPORTANT E VENTS . . . . . . . . . . . . . . . . . . . 394 O VERVIEW . . . . . . . . . . . . . . . . . . . . . . . . . . . 398 T OPICS IN T HEATER the economic Theater in Early Seventeenth-Century England . . . . . . . courtroom Spectacle in Stuart England . . . . . Theater in Golden-Age Spain . . . . . . . . . The French level at the start of the Baroque . . . . . . . . . . . . . . . . . . . . . . Neoclassicism in Seventeenth-Century Paris. . . . . . . . . . . . . . . . . . . . . . . . . The Legacy of Corneille, Racine, and Molière. . . . . . . . . . . . . . . . . . . . . . . Theater and Stagecraft in Italy . . . . . . . . recovery Drama in England . . . . . . . . The Hanoverian Theater . . . . . . . . . . . . imperative Europe Comes of Age . . . . . . . . The French Enlightenment and Drama . . the increase of progressive Sentiment in France and Its impression at the Theater . . . . . 401 . . . . 410 . . . . 411 . . . . 414 I MPORTANT E VENTS . . . . . . . . . . . . . . . . . . . 456 O VERVIEW . . . . . . . . . . . . . . . . . . . . . . . . . . . 459 T OPICS IN V ISUAL A RTS The Renaissance Legacy. . . . . . . . . . . . . . . . . 462 The Counter Reformation’s effect on paintings . . . . 464 components of the Baroque variety . . . . . . . . . . . . 466 Realism and Emotional Expressivity . . . . . . . . 470 The Caravaggisti . . . . . . . . . . . . . . . . . . . . . . 473 Sculpture in Italy . . . . . . . . . . . . . . . . . . . . . 476 The Baroque Matures in Italy. . . . . . . . . . . . . 481 Baroque Classicism in France . . . . . . . . . . . . . 483 portray within the Low international locations . . . . . . . . . . . . 488 Spanish portray within the 17th Century .

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