By Tony Fletcher
Dear Boy is the best-selling biography of Keith Moon, rock’s maximum drummer and wildest personality. Hailed through critics in either the united kingdom and US as a one of many maximum rock tales ever informed, it lines with lethal accuracy Moon's striking trip from his working-class Northwest London formative years, throughout the who is glory years to the California high-life and a tragic, untimely death.
In getting to know a lifestyles now distorted via myths of debauchery and comedian anarchy, writer Tony Fletcher interviewed over a hundred and twenty of Moon’s pals, kinfolk and colleagues. the result's a searingly own portrait of a wholly incorrigible but uniquely beneficiant boy who by no means grew up, and who replaced the lives of all who knew him.
In this staggering biography, Tony Fletcher questions the myths, avoids the time-honoured anecdotes and talks afresh to those that have been closest to Moon, together with Kim, his spouse of 8 years, Linda, his sister, and Annette Walter-Lax, his major female friend in the course of his ultimate years. additionally interviewed are Oliver Reed, Larry Hagman, David Putnam, Alice Cooper, Dave Edmunds, Jeff Beck, John Entwistle and so forth who labored and partied with Moon. Fletcher unearths for the 1st time the reality at the back of the 'famous' stunts that by no means happened – and the extra outrageous ones that did! He additionally uncovers notable information about Moon's outrageous extravagance which used to be financed via The who is American success.
This most up-to-date version of expensive Boy encompasses a newly-written afterword that considers Moon's lasting legacy, the dying of John Entwistle and the who is ongoing profession within the new millennium.
At over 300,00 phrases lengthy pricey Boy is an acclaimed benchmark in rock biography, with over 200,000 copies now bought in numerous variations during the world.
Illustrated with many photographs from own and Who archives.
“Top flight airport studying… a powerful success…” – New Musical Express
“Extraordinarily thorough…” – The Times
“Explosive and entertaining…” – Vanity Fair
“Fletcher has performed the task with clear-eyed affection for his topic… a fans’s perception tempered with journalistic distance.” – Billboard
“Horrific and exceptional reading…” – Q Magazine
“Well researched… an clever bid to provide the whole works… warts and all…” – Mojo
“Richly anecdotal… an excellent read.” – People Magazine
“One of the easiest rock books of this or the other year…” – Hot Press
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Extra resources for Dear Boy: The Life Of Keith Moon
The bookings persevered to proliferate. definitely a part of that was once right down to the impression and impact in their new drummer. He had given them a spark they'd formerly lacked, additional a few intuitive type, introduced them modern, maybe even made them present. The modernists within the crew have been defeating the traditionalists palms down, so it appeared. other than that the single region within which the crowd had to switch if it used to be to be proper to the longer term in addition to the current was once the single quarter within which the founding duo used to be so much resistant: the alternative of songs themselves. whilst Keith first joined, the Beachcombers’ set was once no longer a long way faraway from that of the Escorts. there have been lots of Shadows songs, a handful of rock’n’roll criteria (‘Summertime Blues’, ‘Sweet Sixteen’, ‘La Bamba’, and so on. ], an ever-evolving smattering of contemporary hits, and a few non-Shadows instrumentais like ‘Telstar’ and ‘Walk Don’t Run’ to kick the evening off with. yet there have been additionally the ballads. there has been not anything Ron Chenery beloved larger than an opportunity to do Elvis’ ‘It’s Now or by no means’ or ‘Surrender’, or to deliver the home down in the direction of the tip of the express, whilst he’d had a number of beers and his vocal cords had loosened sufficiently, with a weepy rendition of Marty Wilde’s contemporary hit ‘Jezebel’. Older parents enjoyed it, and so did the ladies; as for the younger males, it at the least gave them chance to say a sluggish dance off their dates. Keith, in spite of the fact that, hated it. He used to be a rock’n’roll drummer, and rock’n’roll wasn’t approximately ballads. It used to be approximately strength, quantity, flamboyance, formative years, uprising, intercourse, flash, you identify it – whatever yet a discussion board for ballads. Ballads have been what your mom and dad listened to, and Keith wasn’t drawn to reliving the lives of his mom and dad. One soppy gradual quantity an evening used to be good enough. 3 or 4 have been a bleedin’ liberty. He attempted explaining this to the others, yet Norman and Ron close him up. Ron was once seven years Keith’s elder; he’d been an unique Teddy boy. He didn’t want a few younger whippersnapper defining rock’n’roll for him. Norman defined, extra patiently, that it was once what the viewers sought after, that it hadn’t harmed the gang to this point. So Keith went besides it. as much as some extent. that time used to be often in the course of the night, while Ron will be at the microphone watching right into a pair of ocean-blue eyes atop a svelte female determine and crooning, “It’s noooow … or never,” or “So my darling, please give up” and Keith could swoosh-swoosh the cymbal like a formal little balladeer until eventually, because the refrain approached or the heartbreaking heart 8 loomed close to, Keith could throw in an unforeseen snare beat and his swoosh-swoosh may develop into a rat-a-tat-tat and Norman and Ron might flip to him and glare, and John and Tony might stifle a chortle, and Keith might wear his visage of natural innocence and revert to the proper ballad accompaniment till every person was once dealing with the viewers back and Ron used to be making a song his middle out once again, at which Keith’s foot might hit the bass drum simply that little bit extra often than expected and the swoosh-swoosh, whereas now not mutating again right into a rat-a-tat-tat, could turn into simply that little bit swifter, till what was once intended to be a smoocher of a music had built the pace of a dance quantity, and Ron and Norman could flip and glare back, Ron pulling his lean physique taut, wordlessly threatening to flatten Keith if he saved this lark up, and Keith could once more play to reserve, and this time till the tip of the music, yet via now the ballad’s sentiment were misplaced and Ron’s center was once not in it.