An up-to-date variation of the definitive monograph on Maurizio Cattelan--provocateur, prankster and tragic poet of our times
The Guggenheim Museum’s sold-out book Maurizio Cattelan: All is returning to print. Hailed as a provocateur, prankster and tragic poet of our instances, Maurizio Cattelan (born 1960) has created essentially the most unforgettable photos in modern art--most notoriously “The 9th Hour” (1999), a sculpture of Pope John Paul II struck by way of a meteorite. Derived from pop culture, historical past and arranged faith, Cattelan’s topics diversity generally, and his paintings, whereas daring and irreverent, is lethal severe in its scathing cultural critiques.
The moment variation of All updates that observed the Solomon R. Guggenheim Museum’s 2011–12 retrospective survey of the artist. For this exhibition, Cattelan sidestepped the totalizing influence of a retrospective by way of devising a site-specific deploy within which his whole oeuvre used to be suspended from the oculus of the museum’s iconic rotunda. This e-book bargains an both distinctive reaction to the conventions of undefined. it's a faux-leatherbound hardcover with gold stamping and skinny paper that's designed to resemble an previous textbook or bible. the quantity info nearly each paintings of Cattelan’s from the overdue ’80s to the current inside of a double-column web page structure, that includes full-color reproductions and accompanying entries.
The revised version describes the artist’s go back to artwork making after a five-year “retirement” with a different, ongoing venture beginning on the Guggenheim in may perhaps 2016. It additionally contains a redesigned conceal and set up photos of the exhibition All. Nancy Spector has augmented her serious review of Cattelan--which files not just his inventive output but additionally his ongoing actions as a curator, editor and publisher--with a brand new coda. seeing that its unique book, All has develop into the Cattelan bible, and this revised variation exploring the newest bankruptcy of the artist’s influential occupation guarantees it's going to stay the definitive resource on his paintings for years to come.
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Extra info for Maurizio Cattelan: All
2 x 21 x five. 1 cm deepest assortment, Italy five. Campagna elettorale, 1989 Newspaper commercial 6. *Torno subito, 1989 Engraved Plexiglas, four x 12 cm inner most assortment, Italy 7. *Non si accettano testimoni di Geova, 1989 (detail) Engraved brass, 6 plates, total dimensions variable My deepest, Milan eight. *Angolo dei ricordi, 1989 Plexiglas, brass, and correspondence, one hundred forty five x forty five x 37 cm inner most assortment nine. suggestions, 1990 journal with changed conceal exhibiting suggestions (1990), 27 x 20. five x 1 cm 10. *Untitled, 1991 (detail) Pen on paper, 29 sheets, 30 x 21 cm every one deepest assortment eleven. *Edizioni dell’obbligo, 1991 Notebooks, Plexiglas, and iron, notebooks: 29. 7 x 21 cm every one inner most assortment 12. *Stadium, 1991 wooden, acrylic, metal, paper, and plastic, a hundred. three x 651 x a hundred and twenty cm inner most assortment deploy view: AnniNovanta, Galleria comunale d’arte moderna, Bologna, March 28– September eight, 1991 thirteen. *Untitled, 1991 Typewritten paper with ink additions, 29. 2 x 21 cm inner most assortment 14. *-74. four hundred. 000, 1996 damaged secure, a hundred and forty x eighty five x sixty four cm deepest assortment, Japan 15. *Oblomov starting place, 1992 Engraved glass, a hundred x a hundred cm Andrea Thuile and Heinz Peter Hager, Bolzano, Italy deploy view: Accademia di bella arti di Brera, Milan, 1992–93 sixteen. Una Domenica a Rivara, 1992 Knotted sheets, 12 m lengthy install view: Una domenica a Rivara, Castello di Rivara, Centro d’arte contemporanea, Italy, July 4–31, 1992 17. *Super Us, 1998 (detail) 50 acetate sheets, 29. eight x 21 cm each one inner most assortment, Paris 18. *Esaurita, 1992 Black-and-white photo, 35. 6 x 27. nine cm A. P. 1/1, version of one deepest assortment 19. *Tarzan & Jane, 1993 Silver dye bleach print, one hundred forty x 70 cm selection of Antonio Petillo, Naples 20. Errotin, le vrai lapin, 1995 Silver dye bleach print, face-mounted to Plexiglas, fastened on board, 182. nine x 121. nine cm variation of three 21. *Untitled, 1993 Plastic, cloth, wooden, lead, and string, dimensions variable Andrea Thuile and Heinz Peter Hager, Bolzano, Italy deploy view: Maurizio Cattelan, Galleria Massimo De Carlo, Milan, January– February 14, 1993 22. *Working Is a foul activity, 1993 Inkjet print on plastic, 246. nine x 579. 1 cm Rubell kin assortment, Miami install view: Aperto ninety three: Emergency/Emergenza, Venice Biennale, June 14–October 10, 1993 23. *Untitled, 1996 Acrylic on canvas, one hundred and one. 6 x seventy four. nine cm Yageo beginning assortment, Taiwan 24. *Catttelan, 1994 Neon, forty x a hundred thirty x three cm Fondazione Sandretto Re Rebaudengo, Turin 25. i discovered My Love in Portofino, 1994 Documentary video stills 26. Lullaby, 1994 wood pallet, rubble, and plastic wrap, one hundred thirty five x a hundred x one hundred twenty cm deploy view: L’hiver de l’amour, Musée d’art moderne de l. a. Ville de Paris/ARC, February 10–March thirteen, 1994 27. *Untitled, 2002 Taxidermied donkey, wooden, steel, cloth, paper, rope, and rubber, 250 x four hundred x a hundred sixty five cm The Dakis Joannou assortment 28. *Untitled, 2004 Taxidermied donkey, one hundred sixty x eighty x a hundred seventy five cm Stefan T. Edlis assortment 29. *Christmas ’94, 1994 Painted plaster and incandescent lightbulbs, 20 x 30 x 15 cm variation 3/3 assortment Renato Alpegiani, Turin 30.