By Victor S. Navasky
A lavishly illustrated, witty, and original look on the outstanding strength of the political caricature all through historical past to enrage, galvanize, and amuse.
As a former editor of The ny occasions Magazine and the longtime editor of The Nation, Victor S. Navasky understands simply how transformative—and incendiary—cartoons may be. right here Navasky publications readers via many of the maximum cartoons ever created, together with these via George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists were censored, threatened, incarcerated, or even murdered for his or her artwork, and asks what makes this paintings shape, too usually pushed aside as trivial, so uniquely poised to impact our minds and our hearts.
Drawing on his personal encounters with would-be censors, interviews with cartoonists, and old files from sketch museums around the globe, Navasky examines the political sketch as either paintings and polemic over the centuries. We see afresh pictures so much celebrated for his or her creative advantage (Picasso's Guernica, Goya's "Duendecitos"), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black strength militant fist-bumping within the Oval Office), and those who have dictated public discourse (Herblock’s defining photographs of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties jointly those and different superlative style examples to bare how political cartoons were not just taking pictures the zeitgeist all through heritage yet shaping it as well—and how the main robust cartoons continue the facility to surprise, gall, and encourage lengthy after their creation.
Here Victor S. Navasky brilliantly illuminates the genuine energy of 1 of our so much enduringly very important different types of inventive expression.
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Extra info for The Art of Controversy: Political Cartoons and Their Enduring Power
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